About Nadia Fares Egyptian-Swiss Director & Screenwriter

“I'm interested in what people don't say. That's often where the real story begins.”

A graduate of New York University’s Tisch School of the Arts, where she earned an MFA in Film and Television, Nadia Fares began her career in fiction filmmaking. Early in her artistic journey, she assisted renowned Polish director Krzysztof Kieślowski during his acting workshops, an experience that profoundly shaped her approach to directing actors and the emotional power of intimate storytelling.

Nadia’s breakthrough came with her debut feature, “Honey and Ashes”, which received international critical acclaim and multiple festival awards. Variety praised the film as “edgy and intelligent,” noting: “Fares’ sensitive direction and the cast’s persuasive performances make the film a passionate statement about the condition of women in the Arab World.” The film has since become a cult classic for its groundbreaking portrayal of contemporary Arab women determined to define themselves beyond the expectations of a patriarchal society. Its success led to an invitation from ARTE France to create and direct “Small Differences” (Anomalies passagères) as part of its prestigious Masculin/Féminin anthology. Alongside directors including Mathieu Amalric, Catherine Breillat, and Mira Nair, Nadia directed the one-hour dramedy about an intersex baby whose arrival turns the parents’ certainty about gender into a revealing comedy of contradictions.

Born to a Swiss mother and an Egyptian father, Nadia grew up navigating different cultures and perspectives—an experience that shaped her understanding of identity, belonging, and human nature. This ability to move between worlds has become a defining quality of her filmmaking, influencing the way she connects with actors, characters, and creative teams.

Driven by a desire to explore human nature from within, Nadia expanded into documentary filmmaking, using real-life encounters to deepen and enrich her fiction work. She has directed more than twenty documentaries for broadcasters including ARTE France, TV5Monde, and the Swiss public broadcasters RTS, SRF, and RSI. Her investigations have taken her into unexpected and challenging environments, from going undercover to interview contract killers in Europe to meeting a jailed jihadist in Africa. These encounters sharpened her ability to listen, observe, and reveal the humanity beneath appearances—an experience that continues to shape her approach to scripted filmmaking, bringing authenticity, emotional depth, and performances that feel spontaneous, layered, and deeply lived.

Seeking to expand her international career, Nadia moved to Los Angeles, where she secured U.S. representation and began developing the international television series “Young Cleopatra". The series explores Cleopatra’s coming-of-age journey, revealing the woman behind the legend—the turbulent years inside the palace walls that shaped her into Egypt’s last queen. This is the Cleopatra rarely found in history books.

She later wrote the feature screenplay “Diplomatic Corps” based on a true story, following the son of a diplomat coming to terms with his sexual orientation while his father faces a human rights crisis at the United Nations in New York City. The screenplay was selected for the New York Writers Lab, supported by Meryl Streep and Nicole Kidman.

For television, Nadia directed the five-part documentary series “Swiss Stories in L.A.”, following the lives of an artist, a dance teacher, an architect, a student, and a bodyguard pursuing their Californian dreams. The acclaimed series was broadcast on national television in Switzerland, France, and Germany.

With her own production company AfterAll Films, Nadia co-produced her recent documentary feature “Big Little Women” which received multiple international awards for its poetic realism, emotional authenticity, and cross-cultural perspective between East and West. The film portrays three generations of women challenging the roles and expectations imposed upon them, balancing deeply personal stories with broader social and political realities. Interweaving Nadia’s own story with that of a pioneering feminist thinker Nawal El Saadawi, the film is both deeply personal and universal.

Throughout her career, Nadia has been drawn to characters who challenge expectations and navigate worlds in transition. She continues this exploration with her next feature film, Hidden House, bringing together emotional depth, cinematic ambition, and her distinctive international perspective.